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The noble enlightening music of Sangeetha Kalanidhi Smt. M.S. Subbulakshmi is an exquisite aesthetic experience. At the outset special mention must be made of her concert pattern which is planned with much care and attention to make it a rich wholesome offering to her inumerable admirers. The voice of Smt.M.S.S. has a finging quality travelling smoothly in the high octaves with clarity and adhering to sruthi absolutely. Her direction beautiful essaying of raga the enchanting swift sangatis proportionate rendering of swara patterens are some of the striking features of her concerts. But what stands out in the music of Smt. M.S.S. is the touch of deep devotion or bhakthi with which she sings every composition. This is something unique in her musical expertise the bhava filled sangita mingled with exquisite melody that flows out to bring forth the absolute bliss identifies Smt. M.S.S. as the Queen of melody and as the Musical SuperStar (M.S.S.). The untiring enthusiasm and Malika of the celebrated Maha Vaidhyanatha Sivan popularly known as Maha Vaidhyanatha Iyer. The Mela Raga Malika the first composition of its kind exquisitely exhibits the essential characteristics of the recogonised seventy two mela ragas. The system of melas Kanakangi to Rasikapriya expounded by Govindacharya in his Samgraha Chudamani forms the basis of his composition which in Sanskrit is as sweet in diction as the melody which it contains reflecting as it does the true devotion of the author to Lord Prantarthihara.