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B.N. Goswamy, distinguished art historian, was till recently Professor of Art History at the Punjab University, Chandigarh. A leading authority in the field of Indian painting, his work has been of seminal importance both to the studies of Pahari painting and painting in the Punjab. Among the most significant of his published works are: Pahari Painting, The Family as the Basis of Style (Marg, 1968); Pahari Paintings of the Nala Damayanti Theme (Delhi, 1975); Essence of Indian Art (San Francisco, 1986); Wonders of a Golden Age (Zurich, 1987); Pahari Masters: Court Painters of Northern India (Zurich, 1992); Indian Costumes in the collection of the Calico Museum of Textiles (Ahmedabad, 1993); and Nainsukh of Guler: A great Indian painter from a small Hill State (Zurich, 1997). His most recent work, Painted Visions: The Goenka Collection of Indian Painting, was published by the Lalit Kala Akademi earlier this year. Professor Goswamy has been visiting Professor at the Universities of Heidelberg, Zurich, Pennsylvania, California at Berkeley, California at Los Angeles, and Texas at Austin, and has lectured extensively both in Europe and the U.S., and in India. He has also been responsible for major exhibitions of Indian art in Paris, San Francisco and Zurich.

Professor J.S. Grewal, a former Director of the Indian Institute of Advanced Study of Shimla and a former Vice-Chancellor of Guru Nanak Dev University at Amritsar, has written extensively on philosophy of history, medieval India, Sikh history, and history of the Punjab, and he has edited a large number of volumes. Among his numerous publications are Guru Nanak in History (1969); Muslim Rule in India: The Assessment of British Historians (1970); The Sikhs of the Punjab (1990); Historical Perspectives on Sikh Identity (1997); and Contesting Interpretations of the Sikh Tradition (1998).