Art and Culture of Tamil Nadu
Synopsis
The people of Tamil Country do possess a distinct individuality and yet they have not been averse to absorb the essental best from others. This is more apparent from the historical times onwards bringing out the Catholic and pan-Indian outlook of the Tamils, which is reflected in their literature, art impulses, aesthetic sense, socio-economic and religious conditions. In fact, there has always been two way traffic of give and take. This is evident in the field of religion, religious art, architecture, etc.; the social background for which are to be found in the Temple festivals predominating the everyday life the people. Dr. Nagaswami in his Art and culture of the Tamil Nadu has presented a cross section of the communites-king and commoner, aristocrat and the agriculturist-highlighting their life, customs, obligations etc. He has shown that the temple was the hub of the Society and the festivals were a unifying factor catering to the social obligations of the people. His erudite distinction between the folk-temple and the agamic temple built according to vastu sastras is thought provoking. The exclusive worship ofa pitha in the sanctun of a temple would indicate the presence of a particular sect and tradition. The apex of the art of the lapidary and the jeweler is very well borne out by the many jeweled crowns and ornaments in the Temples of Tamil Nadu. The book written in a lucid style is well-illustrated.
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