Wandering with the Wind
Synopsis
At age eighteen, in Wandering With the Wind, Merin Elizabeth Kuruvilla emerges as a mellow poet, rather impersonally attached to the dramatic personae of her poems. She has moved on, in leaps and bounds. Earlier, in her poems she had picked up momentous events from world history to reflect upon. Now she refers to the alleys of the past, confronts the endless maze of mirrors, perceives a stroke of magic, is in search for the missing piece and looks through the distant dreamland –all this, because she is now equipped to perceive the mystery that life presents to a human being. No longer can she come to simplistic conclusions about life. The complex web of reality, she now knows, offers wreaths of fantasy for her to enter the realm of poverty and explore the silence of the stars. Merin’s voice in her poems comes through as the voice of a strong autonomous being, not one which seeks any acknowledgement or sanction from outside: “Maybe I’ve moved on beyond pacts/And you have stumbled behind them/and if you’re trying to hurt…I wouldn’t know/And now –I wouldn’t care.†Merin has indeed come into her own. Her poems clearly say so.
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