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Hindustani Sangeet and a Philosopher of Art

 
Sushil Kumar Saxena (Author)
Synopsis The book is decidedly the very first of its kind. It seeks to weigh some basic facts and concepts of Hindustani sangeet (music, rhythm, and Kathak dance) against the art theories of Susanne K. Langer, an eminent aesthetician of the recent past; but nowhere without meticulous attention to the text of her writings. The expression theory of art has for long dominated the history of aesthetics. At the hands of Langer, however, the theory takes a new turn. She conceives of art not as a direct self-expression of the artist’s immediate affective state, but as a symbolic expression of his knowledge of what she terms variously as felt life, sentience, or forms of feeling. Drawing freely upon examples from the region of Hindustani sangeet, the present book accepts Langer’s protest against the popular view of artistic expression, but contends that there is a good deal in our music and dance which has nothing to do with feeling, and is admired simply because of its sweetness, clarity, shapeliness, and accordance with grammatical norms. In the chapter on music, while discussing Langer’s emphasis on ‘commanding form’ in a total performance, the author proposes a quite new definition of raga which seeks to integrate the various points in its traditional characterizations. The third chapter too, which deals with Langer’s view of rhythm, is not merely explanatory, but ventures to propose a fresh and fairly defensible definition of rhythm. The closing chapter, devoted to dance, not only essays to meet some key objections to langer’s writing on this art, but clarifies some atypical language that she uses in this context: apparition of vital powers; the dynamic image; virtual realities; and the created, ‘superhuman’ dance-personality. But perhaps the two most striking features of the book are: first, a lucid exposition of the essentials of Langer’s aesthetics in the opening chapter; and, second, abounding illustrative references to Hinduistani sangeet.
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About the author

Sushil Kumar Saxena

A former Professor of Philosophy at the University of Delhi, where he started the teaching of philosophical aesthetics in 1964, Dr. Sushil Kumar Saxena has actively related this contemporary way of looking at the arts to Hindustani music and Kathak dance in the form of published essays and books spanning a period of more than 35 years. His first book, however, was on metaphysics. Entitled studies in the distinction of being the second Indian (after Dr. S. Radhakrishnan) to appear as an author in (George Allen and Unwin's) Muirhead Library series of philosophical works. Thereafter, turning to philosophies of art and religion, Dr. Saxena produced three more books: The Winged Form: Aesthetical Essays on Hindustani Rhythm (Sangeet Natak Akademi). Aesthetical Essays, and Ever Unto God: Essays on Gandhi and Religion (Indian Council of Philosophical Research). His essays and review articles, again on aesthetical and religious subjects, have appeared in The British Journal of Aesthetics, The Journal of Aesthetics and Art Criticism (U.S.A.), Religious Studies (U.K.)Diogene (France), Kant Studien (Germany). II Vetro (Italy), Philosophy East and West (U.A.A.)Sangeet Natak, Marg, Indian Philosophiy Quarterly, and Journal of the ICPR (India). Currently, as a Fellow of the Indian Council of philosophical Research, Dr. Saxena is working on two book. Art and Aesthetics and the Arts of India.

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Bibliographic information

Title Hindustani Sangeet and a Philosopher of Art
Format Hardcover
Date published: 01.01.2001
Edition 1st ed.
Publisher D K Printworld
Language: English
isbn 8102460180
length xiii+383p., Bibliography; Index; 23cm.