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Synopsis Indian English has been universally accepted as a unique style of discourse with its own nuances, giving expression to Indian multiculturalism in the work of writers in India or those abroad. Not only the new Indian writers in the West, expariates, the second and the third generation writers, but also the classic authors like A.K. Ramanujan, Nissim Ezekiel, Mulk Raj anand, R.K. Narayan, and Bhabani Bhattacharya are being interpreted in the old critical mode as well as the current critical styles of multiculturalism, postcoloniality and diaspora. V.S. Naipaul is being interpreted not only as a Caribbean or British author but also a diasporic writer engaged in a quest for the Indianness inherited by him. The twelve essays in this book deal with the various aspects of Indian English Writing in the light of the current critical trends. The essays, originally published in reputed research journals or critical anthologies over the years, are: “Contemporary Indian English Literary Scene,” “Multiculturalism and Indian (English) Literature,” “Indian English Prose Writing,” “A.K. Ramanujan’s Credo,” “Nissim Ezekiel’s Credo,” “Soul-Stuff and Vital Language: The Poetry of P. Lal,” “Mulk Raj anand on the Novel,” “Anand’s Vision of War and Death in Across the Black Waters,” “Bhabani Bhattacharya’s A Dream in Hawaii: A Study of Postcolonial Spirituality,” “Philosophers and Lovers: Paradox of Experience’ in Shiv K. Kumar’s The None’s Prayer,” “Technique in the Short Stories of Tagore,” and “From Darkness to Light: V.S. Naipaul’s Indian Odyssey.” The article on Naipaul has been written especially for this book. Written in a lucid style with the clarity of perception, the book will be very useful to students, teachers and scholars of English Literature.