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Sculpture Masterpieces from Orissa - Style and Iconography

 
K.S. Behera (Author) Thomas E. Donaldson (Author)
Synopsis

The state of Orissa (Odisha), in the southeast coast of India, is known for its rich heritage in art and architecture. Over the centuries, the creative genius of the Orissan sculptors found expression in numerous beautiful images, which can vie with the best works made anywhere in India. The sculptural images of Orissa display one of the most distinctive regional styles of India. The study of this style is particularly rewarding as there is continuous sculptural activity in the region, spanning over a period of thousand years for each of the three major religions, i.e. Hinduism, Buddhism and Jainism. The style is characterized by the overall clarity and consistency of its evolving iconographic program. In this monograph the important sculptures are analyzed with reference to their aesthetic value, style and iconography. The iconographic features of Brahmanical, Buddhist and Jaina images have been described with photographic documentation to highlight Orissa's cultural splendor. This important handbook on sculpture masterpieces from Orissa will be indispensable for scholars, students of comparative religion, and anyone who wants to know Orissa and understand its composite identity.

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About the authors

K.S. Behera

Dr. Karuna Sagar Behera, born on 5th December, 1939 at Angul, was educated in Angul High School, Angul and Revenshaw College, Cuttack He earned M.A in History in 1960 from Utkal University with first position He obtained Post-Graduate Diploma in Archaeology from the School of Archaeology, Archaeological Survey of India, New Delhi He was awarded the Degree of Doctor of Literature by Utkal University for his study of Konarak. He joined Orssa Educational serviceman 1961 and in 1962, he was appointed as Lecturer in the Post-Graduate Department of History, Utkal University Subsequently he held the position of Reader in History and became a Professor in 1976 He has contributed to the academic life of the University as Professor and Head of the Post-Graduate Department of History, Chairman of the Post-Graduate Council, Dean of the Faculty of Arts, and Member of the Syndicate of the University for four years. He was the President of the on Sa History Congress, Member of the Central Advisory Board of Archaeology, Govt of India and Member of the Governing Body of the National Council of Science Museums His foreign visits include Germany, Finland, U K , Chinaand Indonesia. He has published several articles on Orson History, Culture, Art and Archaeology He is the author of Temples of Orssa, Konarak The Heritage of Mankind (2 vols.) and Sculptural Masterpieces from Orssa Style and Iconography (co-author) He has also contributed to Orssa Bibliography and Orssa Gazetteers. He is at present Professor of History, Utkal University and Director, Oscine Institute of Maritime and South-east Asian Studies in Bhubaneswar, Orissa He is currently conducting research into indigenous tradition of boat-building and navigation in the Indian Ocean.

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Thomas E. Donaldson

Prof. Thomas Donaldson (Ph.D.) is a leading authority on Indian art, particularly Orissan art, as he has been studying and writing on the subject for more than three decades. His works include a monumental three-volume study titled Hindu Temple Art of Orissa (1985-87), Kamadeva’s Pleasure Garden in Orissa (1987), Sculptural Masterpieces from Orissa: Style and Iconography, co-authored with K.S. Behera (1998), Ornaments of Orissa, co-authored by R.P. Mohapatra (1998), Iconography of Vaisnava Image in Orissa (2001), and The Iconography of the Buddhist Sculpture of Orissa – 2 vols. (2001)

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Bibliographic information

Title Sculpture Masterpieces from Orissa - Style and Iconography
Format Hardcover
Date published: 04.02.2021
Edition Reprint.
Language: English
isbn 9788173051319
length 274p., Throughout B/w Illustrations; 11.50 X 9.00cm.